Famous Historical Glass Engravers You Should Know
Glass engravers have actually been very competent artisans and musicians for thousands of years. The 1700s were particularly noteworthy for their success and popularity.


For example, this lead glass cup demonstrates how engraving integrated layout fads like Chinese-style motifs into European glass. It additionally highlights how the skill of an excellent engraver can generate illusory depth and aesthetic appearance.

Dominik Biemann
In the first quarter of the 19th century the conventional refinery area of north Bohemia was the only place where naive mythical and allegorical scenes inscribed on glass were still in vogue. The goblet imagined right here was engraved by Dominik Biemann, that specialized in small portraits on glass and is considered among one of the most important engravers of his time.

He was the child of a glassworker in Nové Svet and the sibling of Franz Pohl, one more leading engraver of the duration. His job is qualified by a play of light and shadows, which is specifically obvious on this goblet showing the etching of stags in forest. He was additionally recognized for his work on porcelain. He died in 1857. The MAK Museum in Vienna is home to a large collection of his works.

August Bohm
A significant Nurnberg engraver of the late 17th century, Bohm collaborated with special and a feeling of calligraphy. He inscribed minute landscapes and engravings with vibrant official scrollwork. His job is a forerunner to the neo-renaissance design that was to dominate Bohemian and other European glass in the 1880s and beyond.

Bohm embraced a sculptural feeling in both relief and intaglio engraving. He exhibited his mastery of the latter in the finely crosshatched chiaroscuro (watching) effects in this footed goblet and cut cover, which portrays Alexander the Great at the Battle of Granicus River (334 BC) after a painting by Charles Le Brun. Despite his considerable skill, he never achieved the fame and fortune he sought. He died in penury. His wife was Theresia Dittrich.

Carl Gunther
Despite his tireless job, Carl Gunther was a relaxed male that took pleasure in hanging out with family and friends. He enjoyed his everyday routine of going to the Collinsville Senior citizen Center to enjoy lunch with his buddies, and these minutes of sociability gave him with a much required break from his demanding career.

The 1830s saw something quite extraordinary take place to glass-- it ended up being vibrant. Engravers from Meistersdorf and Steinschonau created richly coloured glass, a preference called Biedermeier, to monogrammed glassware styles satisfy the demand of Europe's country-house classes.

The Flammarion inscription has actually ended up being a sign of this new preference and has actually appeared in books committed to scientific research in addition to those checking out mysticism. It is additionally discovered in various museum collections. It is believed to be the only enduring example of its kind.

Maurice Marinot
Maurice Marinot (1882-1960) started his job as a fauvist painter, yet ended up being captivated with glassmaking in 1911 when visiting the Viard bros' glassworks in Bar-sur-Seine. They provided him a bench and instructed him enamelling and glass blowing, which he understood with supreme ability. He established his very own methods, using gold streaks and making use of the bubbles and other all-natural problems of the material.

His strategy was to deal with the glass as a living thing and he was just one of the very first 20th century glassworkers to use weight, mass, and the aesthetic impact of all-natural problems as aesthetic components in his works. The exhibition shows the significant influence that Marinot had on modern glass manufacturing. Sadly, the Allied battle of Troyes in 1944 ruined his studio and countless drawings and paints.

Edward Michel
In the early 1800s Joshua presented a style that resembled the Venetian glass of the period. He used a method called diamond factor engraving, which includes scratching lines right into the surface of the glass with a tough metal apply.

He also created the very first threading equipment. This innovation permitted the application of long, spirally wound routes of color (called gilding) on the text of the glass, a vital feature of the glass in the Venetian style.

The late 19th century brought brand-new layout ideas to the table. Frederick Kny and William Fritsche both operated at Thomas Webb & Sons, a British company that focused on high quality crystal glass and speciality coloured glass. Their job reflected a preference for timeless or mythological topics.